A deserted road, neon lights, an engine roaring in the night. For fifteen years, this image has been running through our minds to the rhythm of a cold synth and a ghostly voice. On July 28, 2026, Vincent Belorgey, aka Kavinsky, turned off the ignition at 50 years old.
Kavinsky, the man who turned a night behind the wheel into a synthwave legend.
Kavinsky in a few lines
- Identity: Vincent Belorgey, aka Kavinsky
- Born on: July 31, 1975, in Seine-Saint-Denis
- Died on: July 28, 2026, in Paris, at 50 years old
- Iconic track: Nightcall (2010), opening theme of Drive
- Flagship album: OutRun (2013), No. 2 in France
The zombie of 1986: the death he had already invented
Kavinsky died twice. The first time was in 1986, in a Ferrari Testarossa crash. Except that one, he had written himself.
His entire character was based on this fiction. A driver killed behind the wheel, returned in 2006 as a zombie — red eyes, bluish skin — to make electronic music. Nightcall tells exactly that: the dead man coming back to see his ex, warning that he is no longer the same. She had already moved on.
He embraced the concept. Telling a zombie story was, in his view, stronger than putting his real face on a cover. The Testarossa was not just a backdrop: he actually owned one. Neon lights, 80s cars, night driving — his universe was already rolling without him.

From Steak to Nightcall: the journey of a cinephile turned myth
Before the synths, there was cinema. Kavinsky started as an actor with Quentin Dupieux, notably in Steak in 2007, in roles as absurd as they were memorable.
The spark came almost by accident. Dupieux was about to throw away an old Macintosh, gave it to Vincent, a video game fan. On this machine, Kavinsky was born. The first EP, Teddy Boy, was recorded entirely on a Yamaha DX7, the iconic synth of the eighties.
Followed by 1986, Blazer, then Nightcall in 2010. In 2013, the album OutRun — a nod to the Sega game — climbed to No. 2 in France. The zombie was no longer an insider joke. It was a signature.
Nightcall and Drive: the theme that changed everything
A director listens to Nightcall on repeat while driving on Sunset Boulevard. Nicolas Winding Refn became hooked and called Kavinsky. The track would open Drive in 2011, starring Ryan Gosling.
The film propelled the track worldwide. And Kavinsky then refused to shoot a real video for Nightcall: Drive was already the best he could hope for. The same logic applied to the flood of car movie offers afterward: following Drive with a racing blockbuster seemed to him to empty the gesture of its meaning.
He kept this distance until the end. Discreet, surrounded by the same friends, he often compared himself to Daft Punk in this regard: the music in front, the face behind the mask.
Did you know?
In 2024, Nightcall resonated at the closing ceremony of the Paris Olympic Games, reinterpreted with Angèle and Phoenix. The studio version that followed, released in September 2024, was certified diamond in France. The zombie of 1986 ended up making an entire stadium sing.
Why will his universe roll longer than him?
Because it never rested on a face, but on an atmosphere. The night, speed, neon, cold synth. An aesthetic that thousands of synthwave producers extend without even knowing it.
Because his music is already rolling in culture. The remix of Testarossa Autodrive played in GTA IV and Gran Turismo. His influence permeates every retro soundtrack seeking that thrill of night driving.
An investigation was opened to determine the exact causes of his disappearance, with no suspicious elements found on site. But the essential is elsewhere. At Project X Paris, we know that some nights never really stop. They keep rolling, headlights on, somewhere on a road without end.
THE HEADLIGHTS NEVER GO OUT
Kavinsky invented a death in 1986 to come back stronger. Today the road is empty, but the engine still runs in our headphones. That night has no end: Nightcall still rolls.
#KAVINSKY #NIGHTCALL #SYNTHWAVE #RADARPXP #DRIVE